The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.

The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.

The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.

The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.

The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.

The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.

The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.

The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.

The red St. Andrew’s Cross marks railroad crossings as well as danger zones. Acting as a signal on the facade of the Kunstmuseum Stuttgart, it draws the attention of passersby and accurately conveys the content of the exhibition: transgressing set limits and experiences. The red St. Andrew’s Cross is consistently used for all printed products as well as for the exhibition design. It acts as a kind of heraldic symbol on the short guide, which resembles a passport in appearance. The exhibition, which consistently manages without headings and texts, refers to the individual texts in the short guide with page numbers on the walls.