| Kunstmuseum Stuttgart, CD | Corporate Design | Mar 2005 |

Building letteringinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Logo and stationeryinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Press folderinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Announcement as Christmas mailinginfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Invitation cardsinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Quarterly programmesinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Quarterly programme coverinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Quarterly programme with calendarinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Admission pinsinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Façade typography for openinginfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Façade typography for openinginfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Façade typography for openinginfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Façade typography for openinginfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Façade typography for the Max Bill retrospectiveinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Internet presenceinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Signage systeminfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Signage systeminfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Signage systeminfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Signage systeminfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Signage systeminfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Signage systeminfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


Signage systeminfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


PictogramsinfocreditsPresswww.kunstmuseum-stuttgart.de


The new Kunstmuseum Stuttgart opened in spring 2005. We conceived and designed the entire corporate design.
In addition to the logo, printed matter such as catalogues, posters and invitations, this also includes the Internet presence, the signage system, and the characteristic typographical façade design.
The eye-catching, direct graphic design conveys the modern, fresh feel of a new institution.
One year after the opening, the museum is a new focal point in Stuttgart’s culture scene. 350,000 visitors have visited the centre, the corporate design has received numerous prizes and has been included in the most important collection of German design, the “New Collection” at the Neue Pinakothek in Munich.


| L2M3 | Sabine Braun, Sascha Lobe, Jan Maier, Kathrin Löser, Gabriele Ruf |
