The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.

The independently operating Kreissparkassen try to find individual local references. The key theme for Ludwigsburg was the »Baroque«, with its architectural trompe-l’oeils, and a 140m-long access corridor connecting the various sections of the new building. The storey and staircase signs are so distorted in perspective that they can only be viewed correctly from one point and otherwise morph into a game of free forms.